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SARA NIEMIETZ AND W.G. SNUFFY WALDEN @ Feinstein’s at Vitello’s
December 19, 2019 @ 8:00 pm - 9:30 pm$20 – $40
Chicago-born, LA-based Sara Niemietz is a musical storyteller.
Sara’s first concert experience was a BJ Thomas show in Illinois, where BJ saw the then four year-old singing along with him in the audience. He invited her to join him on the stage, and sparked a life-long love of performance. From starring on Broadway and singing at the Grand Ole Opry to touring in over thirty countries with Postmodern Jukebox, Sara has spent years in studios and on stages. Her videos on YouTube have garnered over 24 million views. After listening to her sing online, Ellen DeGeneres invited her to perform on The Ellen Show and share her music.
Sara’s most recent album, Get Right, is a collaboration with Emmywinning composer, Snuffy Walden, with whom she often performs. Drawing inspiration from the organic warmth of old Jazz records, and the vibrancy of time spent on the road, Sara writes songs, plays guitar, and shares her unique voice in live shows across the world.
In Spring 2019, she embarked on her second solo European Tour. Most recently, Sara’s original music appeared in Queen Sugar and she gueststarred on The Arrangement as a featured vocalist.
W.G. Snuffy Walden
Born in Louisiana, raised in Texas, W.G. Snuffy Walden started piano lessons at the age of six before deciding after a year that a self-taught method was the better fit. While attending college in Houston on a double major of pre-med and math, he worked at a late-night radio show and played guitar in a strip club.
He continued along this path, with music in the background, until one day he dropped out of school, quit his job, and strapped on his guitar full-time. “I went from being a wannabe doctor to a rock musician. Hey, it was the sixties; it was a different time.” In 1968, he formed a blues-based rock trio, Stray Dog, who relocated from Texas to England. Snuffy recorded several albums and then moved to Los Angeles where he continued his solo career and began touring with artists such as Chaka Khan, Eric Burdon, and Donna Summer.
It was during this period that several film and television agents heard Snuffy playing guitar at regular monthly gigs in a Santa Monica nightclub. “When they asked me about scoring for film and television, I wasn’t sure what it entailed,” Snuffy confesses, “but I could see the handwriting on the wall for touring, and it wasn’t pretty. I kept envisioning Holiday Inn at age 60.”
Walden later found out that the primary reason he got the interview with the producers of “thirtysomething” was because they wanted to see the guy with a name like “Snuffy.” Regardless, he submitted a tape. “I never heard a word so I assumed they hated it. They were about to sign another composer when they popped the audio and video cassettes in and loved the music and the way it worked with the show. That was ‘thirtysomething,’ the first show I did.” Snuffy scored the pilot, the series, and wrote the theme.
A month and a half after “thirtysomething” went on the air, Snuffy got a call asking if he would be interested in a “little show” premiering after the Super Bowl. The show turned out to be “The Wonder Years.” Snuffy scored the pilot, then went on to score the series, and revamped a Beatles song for the end credits.
Walden’s work in “thirtysomething” and “The Wonder Years” brought him new attention in the composing-world and he went on to score “Ellen,” “Roseanne,” “Sisters,” “The Jackie Thomas Show,” “Friday Night Lights,” “Men of a Certain Age,” “Under the Dome,” “Aquarius,” “Nashville,” and many other television shows; more than a dozen cable films and movies for television; several independent films; and the major release “Leaving Normal.”
He has received twelve Emmy nominations, multiple BMI awards, and was awarded the Emmy for Outstanding Main Title Theme for “The West Wing.”
Snuffy’s ability to combine intricate emotions with musical simplicity has earned him a special place among the ranks of composers, as his work continues to ring with genuine warmth and truth.